Just checking on speakers helps you hear that reverb much more clearly. It doesn't matter if you have treatment in your room (I don't) and you don't need to listen loudly. The only thing that helps is to listen on speakers. I suffer from the same issue, the reverb sounds great on headphones but is way too much on anything else I listen on. There's great advice here about translating from an EQ perspective but I wanted to mention something about reverb. ![]() I totally feel for your problems as I suffer the same. Most headphones boost too much in the bottom to make them sound good. For my 650s I’m going to try that and compare against the Neumann system that is very well cal’d. They are flat and lifeless which gives you a wonderfully even mix I bet!Īnyway I would maybe stick with what you have and get a good headphone amp, then maybe try to create a custom EQ curve to flatten down the lower end and then compare that to the mixes you’re currently getting, and see what happens. To hear you say that Andrew Schepp uses those for mixing now makes sense. ![]() However one thing I wanted to mention, when I was using sonar works in the headphones, what surprised me when I first listened is that they sounded flat and lifeless at first, and reminded me of my Sony MDR7506’s I’ve had in my audio bag for quite a number of years when using a field recorder with the boom pole and shotgun mic to get audio for a video project. I got rid of sonar works when I invested in the Neuman 2.1 system which has its own calibration so that leaves me kind of stuck with my HD 650s being stock again because Neumann software and sonar works do not play nice together. It actually worked really well, at least much better than nothing (side note: I totally agree about getting a good headphone amp). Click to expand.For my HD 650s I did get sonar works because I was also using it to calibrate the IK multimedia I loud MTMs.
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